The paper examines some philosophical and psychological aspects of the understanding of music. The approach of hermeneutics to the problems of understanding gives reasons to connect the specific act of understanding music with the general theory of understanding. The current paper is an attempt to find the points of contact between “the commonly accepted rules” of the understanding and the understanding of music.
| Published in |
International Journal of Literature and Arts (Volume 2, Issue 5-1)
This article belongs to the Special Issue Musical Theory, Psychology and Pedagogy |
| DOI | 10.11648/j.ijla.s.2014020501.21 |
| Page(s) | 65-69 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2014. Published by Science Publishing Group |
Music Comprehension, Hermeneutics
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| [6] | Gadamer, H.G. Truth and Method 1997 (Гадамер, Х. Г. Истина и метод, 1997) |
| [7] | Hanslik, E. The Beautiful in Music, 1998 (Ханслик, Е. За музикално красивото, 1998) |
| [8] | Mincheva, P. Music and Intellect, 1994 (Минчева, П. Музиката и интелектът, 1994) |
| [9] | Ricoeur, P. Text as a Model: Hermeneutic Understanding, in Kulturologia, Vol.2, 1993 (Рикьор, П. Текстът като модел: херменевтичното разбиране, в кн. Културология, т.2, 1993) |
| [10] | Rusavin, G. Problems of understanding and hermeneutics, in Hermeneutics: History and the Present, 1985 Рузавин, Г. Проблема понимания и герменевтика, в кн. Герменевтика: история и современность, 1985 |
| [11] | Shulga, Е. A problem of hermeneutic circle and dialectics of understanding, in Hermeneutcs: History and the Present, 1985 (Шульга, Е. Проблема „герменевтического круга“ и диалектика понимания, в кн. Герменевтика: история и современность, 1985) |
APA Style
Tania Burdeva. (2014). Music Comprehension in the Light of Some Ideas of Hermeneutic Theory. International Journal of Literature and Arts, 2(5-1), 65-69. https://doi.org/10.11648/j.ijla.s.2014020501.21
ACS Style
Tania Burdeva. Music Comprehension in the Light of Some Ideas of Hermeneutic Theory. Int. J. Lit. Arts 2014, 2(5-1), 65-69. doi: 10.11648/j.ijla.s.2014020501.21
AMA Style
Tania Burdeva. Music Comprehension in the Light of Some Ideas of Hermeneutic Theory. Int J Lit Arts. 2014;2(5-1):65-69. doi: 10.11648/j.ijla.s.2014020501.21
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Download@article{10.11648/j.ijla.s.2014020501.21,
author = {Tania Burdeva},
title = {Music Comprehension in the Light of Some Ideas of Hermeneutic Theory},
journal = {International Journal of Literature and Arts},
volume = {2},
number = {5-1},
pages = {65-69},
doi = {10.11648/j.ijla.s.2014020501.21},
url = {https://doi.org/10.11648/j.ijla.s.2014020501.21},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2014020501.21},
abstract = {The paper examines some philosophical and psychological aspects of the understanding of music. The approach of hermeneutics to the problems of understanding gives reasons to connect the specific act of understanding music with the general theory of understanding. The current paper is an attempt to find the points of contact between “the commonly accepted rules” of the understanding and the understanding of music.},
year = {2014}
}
TY - JOUR T1 - Music Comprehension in the Light of Some Ideas of Hermeneutic Theory AU - Tania Burdeva Y1 - 2014/10/16 PY - 2014 N1 - https://doi.org/10.11648/j.ijla.s.2014020501.21 DO - 10.11648/j.ijla.s.2014020501.21 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 65 EP - 69 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.s.2014020501.21 AB - The paper examines some philosophical and psychological aspects of the understanding of music. The approach of hermeneutics to the problems of understanding gives reasons to connect the specific act of understanding music with the general theory of understanding. The current paper is an attempt to find the points of contact between “the commonly accepted rules” of the understanding and the understanding of music. VL - 2 IS - 5-1 ER -
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