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An Archaeological Study of Petroglyphs in Chapaqan, Meshgin Shahr, Azerbaijan

Received: 17 May 2016     Accepted: 30 May 2016     Published: 14 June 2016
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Abstract

Rock arts can be considered as the most ancient representation of human communities’ artwork. Studying petroglyphs is a new research trend among the anthropologists, archeologists, ecologists and decorative arts researchers. Chapaqan complex is located in the northwest of Iran in the east part of Meshgin Shahr, a city near a famous river named ‘Qarasu’. This complex is divided into two sections in Northern and Southern flanks. The discovered petroglyphs in Chapaqan contain goat (Ibex), deer, grooves and cupules. These petroglyphs are created by a stroking method and located nearby the permanent river of ‘Qarasu’. The petroglyphs in Chapaqan have been examined in field and library-based studies and the motifs are categorized into two animal and geometric groups.

Published in International Journal of Archaeology (Volume 4, Issue 3)
DOI 10.11648/j.ija.20160403.12
Page(s) 31-35
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2016. Published by Science Publishing Group

Keywords

Azerbaijan, Meshgin Shahr, Petroglyphs, Chapaqan

References
[1] Fərəcova, Məlahət, 2007, «Qobustan Çalaları», Azerbaycan dövlət nəşriyyatı, bakı.
[2] Hurshid, Shaghayegh, 2007, Introducing Shahar yeri Petroglyphs (Arjaq Castle), Ancient Studies Journal. 3.
[3] Izadpanah H. 1969. Prehistoric paintings in caves of Lorestan. Iranian Archeology and Art Journal 4: 6–14 (in Persian).
[4] Karimi, F, 2012. Arasbaran Petroglyphs. M. A Dissertation of Art History, Islamic Azad University, Shabestar Branch, Eastern Azerbaijan.
[5] Kazempur. M, Eskandari. N, Shafizade A, 2011, The petroglyphsof Dowzdaghi, Northwestern Iran, Documenta Praehistorica XXXVIII, Pp 383-387.
[6] Laura Goran, Andre. Known and unknowns in art history. Translated by Nourladin Farhikhte. Pousheh, Bija, Bita publication.
[7] Naseri Fard, Mohamad, 2007. Stone Museums, rock arts (Iran’s petroglyphs). Arak: Navay-e Danesh Publication.
[8] Nurullahi, Ali, and Sara Alilou, 2011, Shepherding in the northwest: The petroglyphs of Gery Kouh (two horses) at the foot of Zanjan Mountain, The Culture of Zanjan Journal, The Culture and Islamic Guidance Organization, Issue no. 31-32, pp 73-103.
[9] Rafiefar, J, 2002, Arasbaran Petroglyphs (Sungun). Anthropology Journal. 1 (1). P 44-75.
[10] Rafiefar, J, 2005, Arasbaran Petroglyphs. Tehran: Anthropology Research Institute publication.
[11] Rafiefar, J, 2009, Rock Art in Northwestern Iran, Hurans (Laqlan) Petroglyphs. Archeology, Research Institute publication.
[12] Rüstəmov C. (1994), Qobustan dünyası, Azərnəşr, Bakı, s. 173.
[13] Sinay, Sue, Anne, 2001, «Rock Art Native American Indians Southern California», Manhattan Beach. California, USA.
[14] Tolstoy, Leo, 1977, What’s Art? (Trans. Dehgan, K). Tehran: Amirkabir.
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  • APA Style

    Mohammad Mirzaei, Ali Karimi Kiya, Nasrin Alizadeh, Siyavash Abdollahi, Vahid Ebrahimi. (2016). An Archaeological Study of Petroglyphs in Chapaqan, Meshgin Shahr, Azerbaijan. International Journal of Archaeology, 4(3), 31-35. https://doi.org/10.11648/j.ija.20160403.12

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    ACS Style

    Mohammad Mirzaei; Ali Karimi Kiya; Nasrin Alizadeh; Siyavash Abdollahi; Vahid Ebrahimi. An Archaeological Study of Petroglyphs in Chapaqan, Meshgin Shahr, Azerbaijan. Int. J. Archaeol. 2016, 4(3), 31-35. doi: 10.11648/j.ija.20160403.12

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    AMA Style

    Mohammad Mirzaei, Ali Karimi Kiya, Nasrin Alizadeh, Siyavash Abdollahi, Vahid Ebrahimi. An Archaeological Study of Petroglyphs in Chapaqan, Meshgin Shahr, Azerbaijan. Int J Archaeol. 2016;4(3):31-35. doi: 10.11648/j.ija.20160403.12

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  • @article{10.11648/j.ija.20160403.12,
      author = {Mohammad Mirzaei and Ali Karimi Kiya and Nasrin Alizadeh and Siyavash Abdollahi and Vahid Ebrahimi},
      title = {An Archaeological Study of Petroglyphs in Chapaqan, Meshgin Shahr, Azerbaijan},
      journal = {International Journal of Archaeology},
      volume = {4},
      number = {3},
      pages = {31-35},
      doi = {10.11648/j.ija.20160403.12},
      url = {https://doi.org/10.11648/j.ija.20160403.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ija.20160403.12},
      abstract = {Rock arts can be considered as the most ancient representation of human communities’ artwork. Studying petroglyphs is a new research trend among the anthropologists, archeologists, ecologists and decorative arts researchers. Chapaqan complex is located in the northwest of Iran in the east part of Meshgin Shahr, a city near a famous river named ‘Qarasu’. This complex is divided into two sections in Northern and Southern flanks. The discovered petroglyphs in Chapaqan contain goat (Ibex), deer, grooves and cupules. These petroglyphs are created by a stroking method and located nearby the permanent river of ‘Qarasu’. The petroglyphs in Chapaqan have been examined in field and library-based studies and the motifs are categorized into two animal and geometric groups.},
     year = {2016}
    }
    

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    AB  - Rock arts can be considered as the most ancient representation of human communities’ artwork. Studying petroglyphs is a new research trend among the anthropologists, archeologists, ecologists and decorative arts researchers. Chapaqan complex is located in the northwest of Iran in the east part of Meshgin Shahr, a city near a famous river named ‘Qarasu’. This complex is divided into two sections in Northern and Southern flanks. The discovered petroglyphs in Chapaqan contain goat (Ibex), deer, grooves and cupules. These petroglyphs are created by a stroking method and located nearby the permanent river of ‘Qarasu’. The petroglyphs in Chapaqan have been examined in field and library-based studies and the motifs are categorized into two animal and geometric groups.
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Author Information
  • Department of Archaeology, University of Sistan and Baluchestan, Zahedan, Iran

  • Department of Archaeology, University of Tehran, Tehran, Iran

  • Departman of Art, Islamic Azad University of Ramsar, Ramsar, Iran

  • Department of Archaeology, University of Mohaghegh Ardebili, Ardebil, Iran

  • Department of Archaeology, Islamic Azad University of Miyaneh, Miyaneh, Iran

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